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Global cosmetic and skincare company Laura Mercier successfully launches their new digital asset management (DAM) system to gain the control and organization they need to get the most out of their content investment.
Laura Mercier is owned by Shiseido, one of the largest and oldest beauty companies in the world. Shiseido purchased the Collective for several companies within their family of brands, including Laura Mercier. But without a dedicated DAM administrator to oversee the launch and ongoing maintenance, the adoption of Laura Mercier’s DAM system stalled.
Teams across the organization continued to rely on Box, a cloud storage tool that allows organizations to store, share, and collaborate across files. The result was far from ideal. Duplicate, outdated files were scattered everywhere. Filenames were a mess. And there wasn’t an effective way for teams to search for photos, videos, and other creative assets within the tool’s folder-based system. Teams couldn’t find the content they needed. Something had to change.
In November 2019, Laura Mercier hired Anna Raugalis as their first Manager of Digital Assets. “When I started, my mission was to get Widen up and running as quickly as possible,” said Anna. “It’s a little daunting to start up with a new company while learning all about the brand — all the products, the internal workings of the office — and then to get the DAM system up.” Pair this with an impending pandemic, no predecessor to hand off the role, and a global team that was hesitant to move from their legacy tool — and Anna had quite the challenge ahead.
Transition creative assets out of Box and into the Widen Collective
Rollout the DAM system quickly and globally
Drive user adoption with effective change management
Set teams up for success and enable them to do more
“The support team has been A-MAZING! All DAM systems can organize information, but the thing I like about Widen is definitely the support.”
Manager of Digital Assets at Laura Mercier
Source of truth
With a dedicated DAM admin in place, Laura Mercier now has someone to set and enforce guidelines and standards for how the company manages their digital assets. Prior to Anna, the creative team could upload any assets they wanted into Box, with whatever filename, and in whatever location they saw fit. “I saw the chaos that was Box,” reflected Anna. “I put a stop to that really quickly.”
Laura Mercier’s digital assets are now more organized; there’s no denying that. But that’s just part of it. “This tool has become a source of truth for people in a way they maybe didn’t know they could have,” said Anna. “I’m proud of the trust that myself and the Collective has created.”
“We would spend all of this money and time and effort on these massive shoots and then struggle to locate final assets...we would lose our behind-the-scenes stuff or things that just get lost in someone's private Box folder,” recalled Anna. Now that Laura Mercier is up and running on the Collective, users can easily search or filter to locate a particular asset or discover images and videos they may never have known existed.
“Looking at what people download, I think people are using assets more because they can find them and understand what they are,” said Anna. With more helpful file naming conventions and the ability to associate information (or metadata) with assets in the Collective, Laura Mercier’s teams no longer have to dig through folder after folder in Box looking for the assets they need. Rather, they can allocate their time to more impactful tasks.
“People are very comfortable with their folders; they like their folders,” said Anna about the organization structure used in Box. With that said, folder-based systems aren’t ideal when teams, departments, partners, and regions are all collaborating within a tool. A folder location that makes sense for one team, may not make sense to another.
“The Collective is more dynamic and things can live in multiple places...You can search all these different ways, and you don't just have to go to one place to find one thing. You can find things in lots of different ways,” said Anna. Additionally, Laura Mercier has greater control now. Most assets are available globally, but there are situations where regions have different legal requirements. For example, regions have geo-specific rules about the language that can and cannot appear on a product containing sun protection factor (SPF). By creating user groups for each of their global regions, Laura Mercier can control which regions have access to which assets and ensure they remain compliant at all times.
A unified family of brands
As a global company that’s part of a large family of brands, Laura Mercier benefits from using the same DAM system as their sibling brands. “We still kind of have a young DAM system,” shared Anna. “But I think it helps that all the other brands under Shiseido also use Widen.”
The benefits are numerous. For one, launching the system was easier for Laura Mercier because Anna could meet with the DAM admin at their sibling brand, NARS. This allowed Anna to gather launch advice, learn about what was and wasn’t working for NARS, and figure out if there were areas she could create DAM consistency across the family of brands.
Using the same DAM system from the same vendor also helped with user adoption. “It’s not like something no one’s ever heard of before,” said Anna about the Collective. “Instead, I think it [adoption] is just a matter of people understanding how it can help them, which is often my role — to evangelize the DAM system.”